Spalding Gentlemen's Society

A wondrous place...

Welcome to this wonderful place

The Spalding Gentlemen’s Society, one of the oldest learned societies in the Kingdom and the earliest provincial association for the encouragement of antiquarianism, was founded by Maurice Johnson (1688-1755), “The Antiquary”, of Ayscoughfee Hall, Spalding.

The Museum will close for buildings works on Saturday, 28 September 2024. We invite everyone to visit us at Ayscoughfee Hall, 10:30-4, Wednesday to Sunday.

    

“Visited from Boston last week and found your museum an absolute gem and the members so friendly, helpful and informative.”

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Musing from the Museum 31

SWISS CHOCOLATE AND SCOTTISH STONE. A brief examination of three random images from SGS photographic negative collection. By Alastair Goodrum. In order to illustrate the diversity of images in the Society’s photographic collection, the following discourse uses two...

welcome along

What We Do?

Founded in 1710, the Spalding Gentlemen’s Society is Britain’s oldest surviving provincial learned society. Since 1955, its charitable purpose has been: ‘To promote and foster among the public knowledge, appreciation and the study of …’ what we now call the Arts, Sciences and Humanities. It is a membership society that welcomes women, notwithstanding its history and name. Membership is open to anyone aged eighteen or over.

welcome along

What We Do?

Founded in 1710, the Spalding Gentlemen’s Society is Britain’s oldest surviving provincial learned society. Since 1955, its charitable purpose has been: ‘To promote and foster among the public knowledge, appreciation and the study of …’ what we now call the Arts, Sciences and Humanities. It is a membership society that welcomes women, notwithstanding its history and name. Membership is open to anyone aged eighteen or over.

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Musing from the Museum 31

SWISS CHOCOLATE AND SCOTTISH STONE. A brief examination of three random images from SGS photographic negative collection. By Alastair Goodrum. In order to illustrate the diversity of images in the Society’s photographic collection, the following discourse uses two...